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Dance Star Matthew Ball on Demanding Roles and Online Scrutiny: 'I Don't Feel Protective About My Body'

Within the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's posture is naturally upright, his arms muscular beneath a plain white T-shirt. On stage, ballet dancers can seem as powerful gods, yet often in person they are small. Not so Ball, whose height is one reason for his popularity for heroic roles and pas de deux work. With fine features and intense eyes, there's a hint of a brooding actor about him.

A Seamless Ascent to the Pinnacle

Now 31, Ball is experiencing the crest of a career that has progressed smoothly. Growing up in Liverpool, he faced little teasing for his early passion in ballet. Joining the Royal Ballet School at 11, he graduated straight into the company and was promoted each year, attaining the highest position of principal in 2018. He has relished tackling substantial dramatic roles, particularly the emotional angst found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming starring appearance is as himself, in an "Evening With" event aiming to offer intimate perspectives into a performer's art. He will guide the audience through a role, demonstrating his mental workflow while performance. Yet in lighter works, the test is profound. "Don Quixote is one of the toughest technically," he notes.

The Mental Game and After the Show Feelings

What about following a performance, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to squeeze all the juice out of it, and get immersed in the character, frequently I do feel embarrassed later. Following an intense role I'm always thinking: Wow, what must people think?"

Offstage, Ball is thoughtful, polite, and quick to laugh at himself. But a dance maker once observed on a "sense of suffering in him." Is there? "I'm quite energetic usually, but I do have a dark side," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an instigator for positive change."

Early Motivations and Creative Influences

His determination stemmed from early experiences. Not doing well in competitions at school made him "driven!" It was fuel to demonstrate he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

The next challenge is creating his own dance works. In his view, "there's nothing wrong with." "Breaking the conventions is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from literature, compositions, and art.

Close-Up Dance and Private Dynamic

He also favors presenting dance in more intimate venues. "It was just really thrilling," he says of a previous experience. "You’re so close to the audience. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has created duets with his partner, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple aren’t usually paired on stage at their main theater, which might be beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s favorite cheerleader."

On Social Media and Bodily Perception

On social media, fans can see clips from his dance films and photos that showcase a sculpted physique. Does he mind that the engagement can be a bit focused on appearance? Not really. "The body is just what we work with, so I don’t feel very precious about it," he states. He relates it to seeing Michelangelo’s David—something that can be seen on multiple ways.

Ball characterizes his younger self as "eager for success." Did it met his hopes? "I am conscious of how reality is a different reality to the dreams you made as a child," he muses. He likely has another ten years of dancing left. "I suppose in the future, I want to be a bit more kind with myself."

About the author

Christopher Hall

Lena is an avid hiker and local guide with a passion for uncovering hidden trails in Overijssel.

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